“Without any hesitation, one could pose the following question: Does Vesna Tominac Matačić, in fact, know and understand the work and role of the late artist better than any Slavic philologist from Zagreb? Here, the fate of a talented and oversensitive person – as dreadful as the fate of this nation – has emerged before us. After all, women were the ones who caught hell the most within this nation. Vesna Parun was also among them.”